Category: New painting

  • New paintings for 2016

    New paintings for 2016

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    At last I’m getting back to extended painting sessions. For the past eighteen months I’ve been working on installations and commissioned work. Although it was an exciting time for me I have really missed painting to my own agenda, at my own speed, with no-one to please but myself.

    The painting above is very recent, completed a week or two ago. It really reminds me of one of my second year degree show paintings. But if you compare the two it’s easy to see how much I’ve progressed. The theme is similar but the process is more refined and the use of colour and texture is more complex.

    I will talk more about my themes, techniques and inspirations in later posts. I intend to post more frequently and regularly.

    "Alone"Lonely House Painting From 2011.

  • “Illuminated by Shadows” Library Installation

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    (Click on images to view larger)

    Last Saturday, 20th June 2015, I installed my work “Illuminated by Shadows” in the Central Library in St Helens.

    The panel explains my motivation and ideas for the work.

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    The themes come from my research for a larger commission that I am currently working on, funded by Heart of Glass, St Helens. I always knew that St Helens was important to the industrial development of the UK but I didn’t realise how important. I would like others to recognise the innovation, creativity, community and sheer hard work that is evident in the town’s history. I feel that many people have been ground down and lost their pride in the town and the belief in their ability to facilitate change.

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    The installation features two illuminated picture boxes with back projections. One box depicts miners leaving Sutton Manor Colliery, the painted shapes and illuminated side-panels represent coal. The image of the colliery is projected from the back of the box onto the wall behind.

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    The other box depicts glass workers in their woollen safety suits outside Pilkington Glass Works. The painted shapes and illuminated side-panels represent cullet (waste glass chippings). The image of the glassworks is also projected from the back of the box onto the wall behind.

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    The other installation piece is a revolving shadow lantern. The four sides depict well-known St Helens buildings grouped by theme – town centre, leisure, glass and coal.

    The ghosts of the past drift across these scenes, in the form of silhouettes. The silhouettes are inspired by a film I discovered on the British Film Institute’s website of workers leaving the St Helens Pilkington glass factory in 1900. The film clearly shows many children amongst the workers, the great-grandparents of St Helens’s present-day population.

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    The installation of my artwork was designed to coincide with the Cultural Hubs pARTSticipate event involving many local arts groups and performers. Senior Arts in Libraries Officer, Owen Hutchings, kindly introduced my work to the attendees.

    While I was setting up the work an ex-miner recognised his old place of work in my colliery picture box. He told me some interesting stories about the dangerous and often scary working conditions down the mines.

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    Thanks to Owen Hutchings and Jess Bowstead from St Helens Libraries for giving me the opportunity to make this, to Stephen Wainwright for allowing me to use information and images from his brilliant website http://www.suttonbeauty.org.uk/ to Liverpool John Moores University staff Lol Baker (FabLab Liverpool) for laser-cutting the panels and Martin Gee for helping with construction of the plinths/boxes and most of all to AJ Malone for helping with construction, technicalities and installation.

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  • Small Collaged Paintings

    I did a series of test prints on paper for the screenprints I used on the paintings from the previous post. Rather than waste the test prints I cut them up and mounted them onto small boards. Then I worked into them with acrylic paint. This is me playing around with colour and mark-making.

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  • New paintings from AA2A Residency

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    These paintings are quite different from my other recent work but I feel this is my natural and most enjoyable way of working. I apply the paint in an intuitive, reactive way, enjoying the properties of the paint and letting it do it’s own thing, rather than carefully planning out my composition and colour palette. This is the way I worked on the lonely house paintings from 2011 and 2012. However then I was working in oil and these new paintings were made with acrylics. It’s taken me a while to get to grips with using acrylics in this way. Initially I tried mixing them with various mediums. This produced some interesting effects but introducing another element into the acrylic painting before I really understood the properties of the acrylics alone just made things more complicated and confusing. It’s something I will probably try again in the future but at the moment I’m just working with acrylics and water. These paintings were made on canvas mounted on board.

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  • Finished these paintings at last (I think)

    I’ve just changed these paintings again since these photographs. I’ll photograph and post new pictures soon.

    I’ve started a new series of paintings that are very different from these. I’ll probably post pictures of them early next week 😊

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  • AA2A Hope University Residency work in progress

    I am well into my residency at Liverpool Hope University. I started at the beginning of November but missed a few weeks with the Christmas holidays and the big house move. However, I’m now back on track with only a couple of months left.

    I began the residency by doing a formal lecture/presentation to introduce myself and explain my work. Out of the hundreds of students enrolled only about thirty turned up along with two academics. Maybe because it was held at lunch time. I didn’t feel nervous because I was well prepared so everything went swimmingly. Only one student asked a question at the end, about whether I use photography for my paintings. Overall, the students at Hope seem quite reserved in comparison to other students I have worked with.

    I don’t have a dedicated studio space at Hope and find myself fitting into the first year studio where I can. This has made things difficult. I do feel like I’m encroaching on their space and find it impossible to relax and concentrate on my work. Also, as it is a multi-use studio I can’t leave work out to dry. Consequently, I’m working mostly in acrylic which is not my medium of choice. I’ve taken some of the smaller works home to finish in oil.

    This is all quite negative but I have benefitted, so far, in lots of ways. Hope campus is beautiful and it’s a pleasure to walk through its gardens as I arrive and leave. I’ve met some lovely people amongst the teaching staff. In particular, I’ve spent some time with the technician, Dave, learning how to use the machines in the workshop and learning the best methods of making stretchers. I’ve also been able to make use of the excellent print room and Greg, the Graduate Assistant, has been helping me master screen printing. Because of the challenging working situation I’ve been pushed to use new methods and materials. Working in a different place and talking to new people has given me fresh ideas that I wouldn’t have had working at home alone. By the end of the residency I should have a decent body of work.

    Here are some pictures of works in progress

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    Here are a few screenprints that I’ll be working into with paint.

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    As you can see, it’s all quite different from my usual work!

  • New work on the way!

    Lately I’ve been so busy with other stuff – holidays, selling my house and workshops (photos to come) – that I haven’t done a lot of painting. Here are two small landscape studies that I finished recently just to let you know I’m still alive!

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  • New painting

    New painting

    “Where did you go?”
    oil, acrylic and graphite on canvas