Tag: art

  • “HEART OF GLASS” FAMILY ART CLUB – SATURDAY 21st March 2015

    This session was led by Bradford-based printmaker Ruth Fettis. After researching Ruth’s practice prior to the session, I was excited to be working with her. I like the detailed style and the story-telling themes in her work. I have done some print making before but I don’t have any expertise in it so I was looking forward to learning from Ruth’s methods. I really enjoy using processes in my work that take away the careful, delicate control I use in my oil paintings. I discovered that Ruth has recently collaborated with an artist friend of mine, Michelle Wren, on this fantastic 3D installation piece, currently exhibited in Bradford.

    “The City” with artists Michelle Wren and Ruth Fettis.

    Ruth’s idea for the Family Art Club session was for the participants to decorate a brown paper bag, using mono-printing. There was also collage and drawing materials that they could use.

    The process for mono-printing is very simple, as Ruth demonstrated. Printing ink is rolled out in a thin layer, using a brayer, onto a smooth surface. We used rigid sheets of thin plastic plexiglass. Then the participants could use one of two methods-

    1) the paper bag is carefully placed on the inked surface. Then draw your design onto the paper bag, pressing quite hard, with a sharp pencil. When the bag is lifted away from the ink the design should have transferred onto the underside of the bag.

    2) the design can be drawn directly into the ink on the plexiglass using the blunt end of a pencil. Place the bag or paper onto the inked surface and carefully press the paper down with fingers, or rub it down with the back of wooden spoon, depending on the thickness of the paper. For the thick paper bags we used the spoons and for the thin tissue paper we used our fingers. When the paper is lifted away the design should have printed onto the paper.

    Method two seemed to work better. I think because the paper bags were quite thick and the children had trouble maintaining the pencil pressure required to transfer the image. They were also rather over-enthusiastic with rolling out the ink so it was laid out too thick for the print to work.

    We had a very busy day with a constant stream of excited and eager participants, many of whom stayed for a couple of hours. The children were really proud of their work and everyone took their bags home with them. My niece joined the session and was so pleased with her cat themed bags that she’s saving them to use as gift bags for birthday presents for her nan.

    Here are some of the photos I took during the day (click on image to see full size) –

     

  • Small Collaged Paintings

    I did a series of test prints on paper for the screenprints I used on the paintings from the previous post. Rather than waste the test prints I cut them up and mounted them onto small boards. Then I worked into them with acrylic paint. This is me playing around with colour and mark-making.

    20140404-150146.jpg

    20140404-150207.jpg

    20140404-150219.jpg

    20140404-150235.jpg

  • New paintings from AA2A Residency

    20140327-101759.jpg

    20140327-101825.jpg

    These paintings are quite different from my other recent work but I feel this is my natural and most enjoyable way of working. I apply the paint in an intuitive, reactive way, enjoying the properties of the paint and letting it do it’s own thing, rather than carefully planning out my composition and colour palette. This is the way I worked on the lonely house paintings from 2011 and 2012. However then I was working in oil and these new paintings were made with acrylics. It’s taken me a while to get to grips with using acrylics in this way. Initially I tried mixing them with various mediums. This produced some interesting effects but introducing another element into the acrylic painting before I really understood the properties of the acrylics alone just made things more complicated and confusing. It’s something I will probably try again in the future but at the moment I’m just working with acrylics and water. These paintings were made on canvas mounted on board.

    20140327-103139.jpg

    20140327-103153.jpg

  • AA2A Hope University Residency work in progress

    I am well into my residency at Liverpool Hope University. I started at the beginning of November but missed a few weeks with the Christmas holidays and the big house move. However, I’m now back on track with only a couple of months left.

    I began the residency by doing a formal lecture/presentation to introduce myself and explain my work. Out of the hundreds of students enrolled only about thirty turned up along with two academics. Maybe because it was held at lunch time. I didn’t feel nervous because I was well prepared so everything went swimmingly. Only one student asked a question at the end, about whether I use photography for my paintings. Overall, the students at Hope seem quite reserved in comparison to other students I have worked with.

    I don’t have a dedicated studio space at Hope and find myself fitting into the first year studio where I can. This has made things difficult. I do feel like I’m encroaching on their space and find it impossible to relax and concentrate on my work. Also, as it is a multi-use studio I can’t leave work out to dry. Consequently, I’m working mostly in acrylic which is not my medium of choice. I’ve taken some of the smaller works home to finish in oil.

    This is all quite negative but I have benefitted, so far, in lots of ways. Hope campus is beautiful and it’s a pleasure to walk through its gardens as I arrive and leave. I’ve met some lovely people amongst the teaching staff. In particular, I’ve spent some time with the technician, Dave, learning how to use the machines in the workshop and learning the best methods of making stretchers. I’ve also been able to make use of the excellent print room and Greg, the Graduate Assistant, has been helping me master screen printing. Because of the challenging working situation I’ve been pushed to use new methods and materials. Working in a different place and talking to new people has given me fresh ideas that I wouldn’t have had working at home alone. By the end of the residency I should have a decent body of work.

    Here are some pictures of works in progress

    20140306-115710.jpg

    20140306-115743.jpg

    20140306-115800.jpg

    20140306-115811.jpg

    20140306-115827.jpg

    20140306-115836.jpg

    20140306-115846.jpg

    20140306-115859.jpg

    Here are a few screenprints that I’ll be working into with paint.

    20140306-120233.jpg

    20140306-120245.jpg

    20140306-120257.jpg

    As you can see, it’s all quite different from my usual work!

  • New work on the way!

    Lately I’ve been so busy with other stuff – holidays, selling my house and workshops (photos to come) – that I haven’t done a lot of painting. Here are two small landscape studies that I finished recently just to let you know I’m still alive!

    Image

    Image

     

  • Some photos from Python Open

    Some photos from Python Open

    Taken at the opening of the Python Arts Festival at Bank Quay House Gallery.

    smallP1190880 smallP1190886 smallP1190891 smallP1190897 smallP1190904 smallP1190910 smallP1190913 smallP1190915 smallP1190918 smallP1190921 smallP1190929

  • Python Open 2013 Winner

    I’m really happy to share that I was announced overall winner for the Python Arts Festival Open 2013!!

    I attended the preview at The Gallery at Bank Quay House, Warrington, where I was awarded the prize of winner for the Warrington and also overall for the four galleries!

    The winning painting was “The Quell”.

    "The Quell"

    The Gallery at Bank Quay House are also exhibiting “The Narrow Door”.

    "The Narrow Door"

    “Crossing” is on display at The Gallery at St George’s House, Bolton.

    "Crossing"

    I was also really pleased that my friend, fellow artist, Jacqui Priestley was Highly Commended. I took lots of photographs so I will publish some of those on a later post.

    The Python Arts Festival runs from 20th July – 3rd August 2013.

    python flyer 1python flyer 2

  • Liverpool Open at Editions Gallery

    My painting made it on to the flyer for the Liverpool Open Exhibtion.

    Image

  • Python Arts Festival

    All of the three paintings I submitted for Python Arts Festival have been selected! “The Narrow Door” and “The Quell” will be exhibited in Warrington and “Crossing” is off to Bolton. More details, dates, etc to follow.

    “The Narrow Door”"The Narrow Door" “The Quell” "The Quell"“Crossing”"Crossing"